“Inanna placed the shugarra, the crown of the steppe, on her head…Inanna set out by herself.” Inanna: Queen of Heaven and Earth, Diane Wolkstein, Pg12
Imagine who you could be if no told you that you can’t. Imagine what you could be if you were really charged up. Then start moving that way. I make it sound really easy right…It’s not. But it is possible. It starts with a choice.
I want to see more variety in the examples of womanhood presented to black and brown people. We are catalysts, decision makers, holders of authority and autonomy. Part of my interest in mythology comes from a need to explore female archetypes that are untethered from struggle, respectability politics and expectations. I want the freedom to be equally glorious and fucking flawed.
The only thing necessary for Queen-ship is the decision to be a queen. Everything you need is available to you in the moment of decision. The world is yours, if you want it.
I’m an doing a show. Find out more information here.
“To my daughter, Inanna, I shall give truth!…Inanna replied, I take them!” “Then Inanna, standing before her father, acknowledged the me Enki had given her” Inanna: Queen of Heaven and Earth, Diane Wolkstein, Pg14-16
“Then more me appeared – more me than Enki had given Inanna”
“Inanna brought the me: She brought the placing of the garment on the ground. She brought allure. She brought the art of women. She brought the perfect execution of the me.” Inanna: Queen of Heaven and Earth, Diane Wolkstein, Pg26
The Me*: The Perceptive Ear | The Power of Attention | The Making of Decisions | The Placing of the Garment | Allure | The Art of Women | The Perfect Execution
I went to the Harrison Center for the first time this month. Originally I went to see the We Are Indy Arts show, but I ended up getting way more than I bargained for (which is how art works generally). Be sure to make an appointment, wear your mask and go see the show.
Happy Black History Month. I’m happy that I made it to February 2021. It’s been alot going on.
My New Year started with a flood at my home. Then at the end of the month I wrecked my car. (We are fine. God is good.) Some where along the line, they stormed the Capitol and Cicely Tyson died. Kamala Harris is a win for representation. Joe Biden is president and everyone was dressed in beautiful monochrome.
God is good. The universe is abundant. I am so blessed. Everything that I did was possible because of the support that I received within the arts community in Indianapolis. Artists are essential workers both metaphorically and literally. The support that I needed personally and professionally came from other creatives. I need to take a moment to just say thank you to the following:
This piece found a home. I drew it a few years ago as the start of a series and I never got back into into it. I have a fascination with classic American imagery. Part of my mission as an artist is to examine and the cultural images that are presented to us and challenge them.
Thank you again to Angie Nuttle and VIP Business Center for Women for hosting this event. Be sure and check them out.
This show had a press release, which is crazy. And they used things I said… I’m always surprised by stuff like that. It takes me outside of myself. I posted the entire thing below; it features some really interesting commentary from the other artists.
This show has 2 more receptions. I will be attending the Saturday reception on September 12th from 12-3pm. It is free admission and reduced capacity. Wear your mask. See live artwork.
Indianapolis, IN September 1st, 2020
Somewhere, something incredible is… ‘Waiting To Be Seen’; a conceptual art exhibit featuring 17 diverse Indiana artists displaying their visions of selected artworks of photography by experimental photographer Darrell Staggs.
Staggs, an engineer by training and a self-claimed car guy by DNA explained “It’s learning about Art and how Art works.”
His contribution to this show is the nearly 20 pieces selected from hundreds of images he has collected. He admits he purposely selected “personal”, not “predictable”.
He suggests a “predictable” image is one that is easily and universally recognizable because persons have “seen” it many times before. A “personal” image may eventually be recognizable, but in a very unique perspective, or it may be a very abstract perspective.
All of the images are captured, but some may be “created” after capture.
Brinton Farrand, a retired educator who’s studied classical realism at Studio Escalier in France, selected his image based on the people in the photo and the title ‘Crossing Over’. He saw similar ingredients of his work in the time travel, meditation, and introspection elements. He appreciates the obscure and unnoticed point of view.
Kristy Quinn, a Circle City Industrial Complex (CCIC) studio artist, conceptualizes a piece in her mind and then executes the art to match that vision. Quinn thought the elk rib cage, highlighted in the photo she chose, seemed to symbolize arms waiting to embrace the wolf in focus, assuring that even in death the elk will continue to sustain the cycle of life.
Quinn’s most recent pieces have evolved with a theme of “Do you see me?”, to represent social justice viewpoints. An example, Monumental Women, depicts women’s faces
emerging from clay, symbolizing that women deserve their own version of Mt. Rushmore; honoring female voices, leadership, and strength.
Cierra Johnson’s background in graphic design is molded with intense color and extreme tactile surrealistic bends. She favored Somewhere West of Monrovia as her inspiration because she sees symbols of significance to humans in the sky- the afterlife, renewal, and return.
A shared concept to Quinn’s perception.
Johnson begins with the quiet moments of observation and never starts with an empty page.
She does her best to uplift and exalt black and brown people in all of their humanity and possibility; showcasing joy, power, love, and triumph in her work but admits, along with JD Bills and Staggs, that their work is rarely a direct reflection of the current political climate rather an attempt for relief.
Unexpectedly, local influences like Satch Artist, Gary Gee, William Ray Denton, Justin Vining, and Anthony Radford, can also be found in the participating artists’ work.
Many of the participants have begun sharing sneak peeks on social media. Jerry Points, Lacy Pearson, and Corey J. Mills indicate the artwork presented for the first time will be easily identified to their personal style while others, like Lynn Medsker, are being innovative with a technique called Quilling. The leap definitely helped her produce a nearly exact replica of the experimental photograph and has received an abundance of positive feedback already.
Amy Ward, an abstract painter, and Gary Lynn, a welder and gallery owner, partnered to construct a unique self-standing mixed media sculpture and revealed they heavily leaned on the quote presented by the curator, “It’s not what you Look at that matters, it’s what you See.” by Henry David Thoreau.
Live art is always a move. These are just a few of the pieces on display. This show was curated by the homie, Gary Gee. It is up at the Central library all month. Wear your mask. Stay safe. See artwork.
Make sure you check out this show from the comfort of your couch. It’s a whole virtual experience with music and art. It features my piece, “21g” and the work of some other really “out of this world” artists.